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Learning Opportunities to Help Artists Make More Money

Image: GiftFree Art Business Tips:  How to Use Print Promotional Tools

If you are on a tight budget, our series of practical tips will help you use effective, low-cost marketing tools to promote your art with class. So far we have covered:

  • Your Promotional Identity
  • Business Cards and Cover Letters to introduce yourself and your art
  • Postcards, Rack Cards, Flyers, Brochures and Catalogues and Portfolios to broadcast information about yourself and your art and packets to make a direct connection.

  • ____________________________________________________________________


    Digital Arts StudioFree Download: Please forward to artist friends.

    Treat your art business like any other serious profession.
    The business of art is creating unique work of high quality and value to your viewers. The art of business is consistently building sustainable relationships through strategic work habits and well-organized business systems.
    ____________________________________________________________________


    Digital Arts StudioSponsored Spotlight: Digital Arts Studio

    If you were away last month, you might have missed the announcement of our newest e-book "Affordable Marketing That Really Works For You" Your website, online marketing, and printed marketing materials by Robin Sagara.
     
    Take a peek inside and read Part 1 here.
    Buy Now for $29.95
    ____________________________________________________________________

    Road Trip

    Digital Arts Studio
    Digital Arts Studio










    Art Marketing 101 For Smart Artists: The 7 P's Of Marketing Your Art
    Friday, October 22, 2010 9:00 AM - 12:00 PM  Fr129  Register

    Avoiding the business side of art is like driving down unknown country roads in the dark without headlights: you don't know what your destination looks like. You might end up down the wrong road, or worse yet, run out of gas. If you want to attract more collectors, gallery dealers and museum curators, you must know how to market your art. It doesn't have to be hard, boring or expensive. You just need a system and you have to use it consistently. Imagine having a reliable vehicle for marketing your art, with high beams to focus on the best way to save you time, money and energy. Learn to navigate the seven stages in the journey. You will leave this class with a marketing map that will help you drive your business so that you have a better year than ever. Then all you have to do is steer.

    Related e-books available at www.artbusinesslibrary.com/art-marketing.

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    The Artist Who Tells The Best Story Wins
    Friday, October 22, 2010 1:00 PM - 4:00 PM  Fr272 Register
     

    Your art doesn't speak for itself - you do. At the heart of your marketing is a series of conversations designed to build a bridge between you, your art and your audience of art lovers and art professionals. The purpose of a persuasive presentation or conversation is to provide the audience with good reasons to look closely at your work, tells others about it and buy it. Learning to talk about your work to anyone, anytime, anywhere pays big dividends. On the list of people's greatest fears, public speaking has first place, while "death" is seventh. It only takes a few skills to start moving forward from fear into your comfort zone. You just need to know how to start, continue and end conversations. Learn how to plan what you want to say, say what you want your audience to hear and remember what you planned to say. The artist who tells the best story wins.

    Related e-books available at http://www.artbusinesslibrary.com/art-marketing.

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    Multiple Sources of Art Income: Alternative Spaces, Galleries And Licensing
    Friday, October 22, 2010 5:00 PM - 6:30 PM  Fr313  Register

    It's better to have your eggs in more than one basket if you want to make a good living as an artist. In this class you will learn the following:

    • When you sell directly to collectors, you don't have to share the commission with a gallery. You'll reach people who find traditional art galleries too intimidating and who like to buy art directly from the artist. Gallery dealers love working with artists who have built a healthy mailing list and already have satisfied collectors as proof of the ability to make art that sells.
    • When you get a gallery to represent you, you get an exhibit venue and help with all the marketing. You reach a qualified audience loyal to the gallery with trust in the dealer's work and artists. In return, you pay a commission.
    • If your work has wide appeal, you can become a household name and earn royalties by licensing your art to manufacturers.
    You can choose one of these sources of income or all three. Find out what is involved so you can make the right choice.

    Related e-books available at www.artbusinesslibrary.com/artist-money-matters.

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    Who Are You And What Is Your Art All About? Your Artist Statement And Audio-Logo
    Saturday, October 23, 2010 9:00 AM - 12:00 PM  Sa129  Register

    You only have one chance to create a great first impression. If you blow that chance, there are hundreds of other artists just waiting to step up and take your place at the front of the line. You need to pique interest right away and stimulate curiosity. Learn how to answer the question "What do you do?" (Hint: The answer is not, "I am an artist.") You need an artist statement that is complete, concise and memorable. Learn how to create a 10 - 12 word introduction that leaves people wanting to know more. Learn how to write or improve your artist statement for your current body of work, making every word count; how to handle your fears; why some artist statements "shine and others whine"; and how to describe your art so that others are eager to enjoy your vision. You will learn what to include or exclude so that any art lover at any age can understand it. This class is based on reading thousands of bad artist statements, and editing a few hundred good ones.

    Related e-books available at www.artbusinesslibrary.com/art-marketing.

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    The Goldilocks Pricing Method
    Saturday, October 23, 2010 1:00 PM - 3:00 PM  Sa270  Register

    Are you worried that your prices are "too high" or "too low"? Get your prices "just right" or you will be marketing like a character in a fairy tale. "Guessing", "Rules of Thumb" and "By-the-Inch" pricing can get you in trouble. Good pricing of your art is simply good business. Your prices must be consistent and appropriate for all audiences and art markets in which you show and sell your work. Gallery dealers and experienced collectors see enough art to have a built-in sense of an appropriate price. It is your job to be equally versed and to set credible prices that will attract buyers and representatives. Learn the mistakes to avoid; how to calculate your costs; how to set your prices; when to raise your prices; how to include gallery commissions; and how to handle requests for discounts. You will leave with a 10-factor formula that will give you the confidence to stand behind your prices and get paid what your art is worth.

    Based on the E-Book and Recording "Pricing Your Work to Sell" and the softcover book "Pricing Your Work With Confidence." (Sold separately at www.artbusinesslibrary.com/artist-money-matters.)

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    How To Build A Healthy Art Business That Leads To Sales: Nine Marketing Strategies To Get More Exposure For Your Art
    Saturday, October 23, 2010 4:00 PM - 5:30 PM  Sa272  Register

    You don't get a fit body by going to the gym once in a while. You need willpower, an exercise program, many repetitions and the occasional tip from a qualified trainer. The same goes for keeping your art business in shape. Simplify the job of building your art business with nine marketing actions.

    This workshop is based on the Artist Career Training mantra "Exposure = Success", used and proven by an international online artist community of emerging, mid-career and established artists. www.artistcareertraining.com/featured-artists

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    Create A Great Marketing Packet, Not Just A Good One!
    Sunday, October 24, 2010 9:00 AM - 12:00 PM Su123 Register

    Do you have powerful images of your body of work? Do you write enticing descriptions of your life as an artist? Do you showcase your art career accomplishments? Create a memorable professional marketing portfolio to stand out in a crowded art world. Get step-by-step instructions and see examples developed by a gallery dealer including: cover letters, resume, artist's statement, press and reviews, visuals, inventory list, and presentation of the portfolio. Gallery dealers and arts writers nationwide will acclaim your presentation and ask to meet you.

    Based on 75 item assessment tool, detailed checklists, samples and templates in the Artist Career Training E-Book & Recording "Creating Your Professional Portfolio." (Sold separately at www.artbusinesslibrary.com/art-marketing)

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    Bust That Starving Artist Myth (And 11 Others)
    Sunday, October 24, 2010 1:00 PM - 2:30 PM  Su257  Register

    You don't have to suffer to be a true artist. Even the archetypal starving artist Vincent van Gogh wasn't doing so badly. He came from a wealthy family of gallery dealers and worked in an important gallery for six years. The "starving artist" myth is just one of many false beliefs about how artists live and work. These persistent myths are deep-rooted in society but as artists we need to educate people because when people devalue the "real job" of being an artist, they also downgrade your art. Artists who shed these misconceptions release trapped creative energy. Attend this workshop and bust 12 common myths with the realities that successful working artists know to be true. Build a thriving career with a solid foundation based on four cornerstones about your career, your art business, art marketing and art sales.

    Based on working with artists who don't buy into these myths and make 6-figure incomes!
    www.artistcareertraining.com/art-business-overview  



    Digital Arts Studio
     
    P.S. Are you on Facebook, Twitter and/or Linked In? Let's connect and keep in touch in between posts! Just click on these images and let me know what you found useful about this tip: Find us on Facebook View our profile on LinkedIn Follow us on Twitter  And please include a link to the Art Marketing Blog so other artists can benefit.
    

    How to Use Print Promotional Tools: Artist Marketing Packets

    If you are on a tight budget, our series of practical tips will help you use effective low-cost marketing tools to promote your art with class. So far we have covered:

  • Your Promotional Identity
  • Business Cards and Cover Letters to introduce yourself and your art
  • Postcards, Rack Cards, Flyers, Brochures and Catalogues and Portfolios to broadcast information about yourself and your art.

  • Today we cover your artist marketing packet.

    A stellar art marketing packet gets right to the point and delights the recipient.   

    Photo: Copyright ©2010 AGK
    Bruce Marion's Completed Packet
    When to Use an Artist Marketing Packet Instead of an Art Marketing Portfolio.

    Think of it as a parent-child relationship. Your marketing portfolio is the parent showing off your everyday brand. Your marketing packet is the child dressed for a special event.

    You can use your artist marketing packet to:

  • Respond to calls for art in prestigious galleries and museums;
  • Apply for juried membership in professional art clubs to build your reputation;
  • Compete for residencies to develop your art and build connections
  • Apply for grants to further your artistic excellence and  merit
  • Invite collectors to a special event to thank them for their patronage (and of course show them new art for sale);

  • How to Design an Artist Marketing Packet
    If you already have a master portfolio, you don't have to start from scratch. (If you don't have one yet, make sure to get this done this year. You will thank yourself later when you need to come up with something at the drop of a hat. There's more help on how to create your master professional portfolio here: Artists Need a Professional Portfolio.)

    Always design with your audience in mind:

  • If you are inviting collectors to an event, create an appealing package and write irresistible, compelling content;
  • If you are competing with other artists for exhibitions, residencies, grants or apprenticeships, follow instructions.

  • Then make your submission the highest quality possible, so yours stands out from the "also rans."

    Use your creative genius to create an artist marketing packet that reflects your art aesthetic and your brand

  • Decide which contents to include to suit your audience and purpose:
  • Cover letter
  • One- or two-page resume
  • Artist's statement
  • Articles and press
  • Labeled color photocopies of images
  • Inventory list for all images with retail prices
  • Sample rack cards, brochures, postcards, business cards
  • DVD
  • CD of contents
  • Event RSVP
  • Self-addressed stamped envelope (SASE)
  • Take a look at this invitation to a collectors' event from established artist and A.C.T. community member Bruce Marion. This beautiful packet came in a FedEx envelope so of course, I opened it right away. Priority mail is another option. Both say "Open me First." The extra expense is worth the impact. The whole effect spells "class and care." (More about that in future interviews with Bruce.)
  •  
    Photo: Copyright ©2010 AGK
    Bruce Marion's Packet - 2

     

    Photo: Copyright ©2010 AGK
    Bruce Marion's Packet - 3


    Photo: Copyright ©2010 AGK
    Bruce Marion's Packet - 4

    Remember to Follow-up
    Sending a packet - or any other marketing piece - is just the beginning. Follow up by e-mail or by telephone a couple of weeks after you mail the packet. Ask  the recipient if they have had time to look at it and if you can provide any more information to help them make a favorable decision. Remember to thank them for their time and attention, whether or not they respond as you hoped.


    Digital Arts Studio


    Gift For You ImageP.S. If you want to refine your art marketing or are bewildered about where to even begin with your promotion, reply to this e-mail with your questions and ask me about a free 15 minute consultation to help you get started.
     
    P.S. Are you on Facebook, Twitter and/or Linked In? Let's connect and keep in touch in between posts! Just click on these images and let me know what you found useful about this tip: Find us on Facebook View our profile on LinkedIn Follow us on Twitter  And please include a link to this blog so other artists can benefit.

    P.P.S. If you were away last month, you might have missed the announcement of our newest e-book "Affordable Marketing That Really Works For You" Your website, online marketing, and printed marketing materials by Robin Sagara.

     

    Take a peek inside and read Part 1 here.
    Buy Now for $29.95

    Robin's Marketing Action Tip - Where to Get Supplies to Create Your Marketing Packet 

    We order a lot of stuff online to create marketing packets, videos, DVDs and other groovy stuff for artists. If you're a DIY person, these resources should help. Do order them online as much as you can, and save yourself a lot of running around. Or, let us do it for you so you can get back to being an artist.  ;-D

    These are just a few of the many quality places to buy online. If YOU have suggestions and places you love, please send them to me or leave a comment here on the blog.

    DVD and CD labels, cases, media
    Neato www.neato.com/
      We use their stuff to create in-house, and we've uploaded designs and had them print (and even shrink wrap) DVDs and CDs.

    Presentation folders and labels:  
    Office Depot:  www.officedepot.com and
    Staples:  www.staples.com
      Folders, labels, papers, media, shipping supplies. You can shop online and get back to creating your art.  Or, your local office supply store should have a nice selection. Also ask at their in-house print shop about custom orders.
    Online Printers, Google "custom presentation folders" or try www.printplace.com 

    Art Supplies, Craft Supplies, and Fine Papers:
    Michaels www.michaels.com
    Mowhawk Fine Papers  www.mohawkpaper.com
    Blick Art Materials  www.dickblick.com
    Utrecht Art Supplies www.utrechtart.com
    Art Paper www.artpaper.com
    Legion Paper www.legionpaper.com
    Fabric.com www.fabric.com
    JoAnn Fabric & Crafts www.joann.com

    Shipping:
    We have accounts online. Just fill in the info and print shipping labels on your own printer (and return shipping labels). FedEx will give you shipping supplies and even pre-print your information on their shipping labels.
    USPS: United States Postal Service www.usps.com 800-275-8777
    FedEx: Federal Express www.fedex.com 800-463-3339
    DHL: www.dhl.com 800-225-5345

    And because you have high-resolution images of your work, and some cool photos of you, you working in your studio, you at your shows/galleries, you installing your work at a show, etc., you can use them in your packet, and in your portfolio, your postcards, your business cards, rack cards, and so on.

    Gift for YouWant some help or advice on how to put together your packets and other marketing materials?  The first 15 minutes are on me, just email me to schedule some time.

    All my best to you and yours,

    Digital Arts Studio

     

    Robin Sagara
    Web Marketing Mentor
    robin@artistcareertraining.com
    

    Posted on Monday, August 23, 2010 at 03:38PM by Registered CommenterRobin Sagara in , , | CommentsPost a Comment

    How to Use Print Promotional Tools: Professional (Marketing) Portfolio


    If you are on a tight budget, our series of practical tips will help you use effective low-cost marketing tools to promote your art with class. So far we have covered:Digital Arts Studio
    Today we cover your professional portfolio.
    A good portfolio answers the question "Who Are You and Why Should I do Business With You?"

    A Great Portfolio Gets All the Action.

    "A talented artist submitted his very professional portfolio of silver sculpture to me. The artist had a solid background in the arts, good inventory and serious credentials, and was reaching out to dealers in cities across the country hoping for greater exposure of his work. His promotional materials were nicely presented; the photos of his work were compelling. The artist was both articulate and polite on the phone and his correspondence was direct and to the point. Even though I was impressed with both him and his portfolio, I passed on representing him because his style of art was not suited to the collectors in my community. I recommended that he submit his work to galleries. I even thought of a few places where his work might sell. I gave him the names and numbers of several good galleries to contact. He seemed happy for the feedback, and thanked me for not sending him away empty-handed.

     

    "I cannot emphasize enough the importance of a great portfolio. As an art representative and alternative gallery owner, venue owners often ask me for the artist's statement, biography, exhibition list and images for each of the artists I represent. When the artist is prepared, it makes my job selling their artwork, that much easier."  A.C.T. Art Marketing Mentor & Artist Representative Margaret Danielak, a graduate of the A.C.T. Art Marketing Workshop and owner of Danielak Art.


    Why You Need a Professional Portfolio

    Your professional portfolio is a visual snap shot of your art and career. A great portfolio builds confidence. It helps viewers decide to buy your work, represent you or talk about you to friends and art professionals. It is a "stand in" for you and acts as a portable studio.

    Isn't My Web Site Enough?
    Artists often tell me that they already have a web site where people can view their work and learn about them. Why do they need a hard copy portfolio? Isn't that "old school?"

    Think about the viewers' experience.

    I look at hundreds of web sites and some get lost in the blur. My first impression often determines how I will look and how long I will stay. I may leave right away, look at each page in order of the menu, or I might bounce around to get a sampling.

    The first time through a portfolio, I can scan the contents from start to finish and then go back for a closer look at certain sections. I tend to go in the order you've presented it. I can linger. And the images are usually better than on a web site.

    The experience of thumbing through a printed portfolio uses three channels of perception: seeing, touching and moving. The more channels, the more memorable the experience. And the point is for the viewer to remember you.

    Your web site is a mirror of your hard copy portfolio. YOU NEED BOTH.
    Once you have a hard copy portfolio, you can easily align your web site or Blog with this material and create a CD version.

    How to Design a Professional Portfolio
    This is not the place to rush or scrimp. A good portfolio should say, "I am a professional artist that YOU want to work with!" 

    • The best portfolio is functional - easy for the recipient to review and easy for you to produce. I've seen all types of presentations of artwork, from old cardboard folders or scrapbooks holding snapshots to big fancy black leather custom-made notebooks with engraved stationery and custom-printed oversize photographs. Many of these portfolios are amateur or uselessly elaborate. The easiest container for both you and your viewers is a "dressed" view binder with your promotional identity in the plastic sleeves and spine.  
    • Each portfolio you create is drawn from your Master File (Electronic, print and CD) of all your updated material. Once you have a Master Portfolio, all you have to do is update it whenever you have an event, award or new body of work. (You do update your material every time you have something new to add, don't you? If not, you might miss an opportunity!) Make sure to keep a backup off-site and natural disaster-proof. 
    • The contents typically include:
      • Cover letter,
      • One- or two-page resume,
      • Artist's statement,
      • Articles and press,
      • Labeled color photocopies of images
      • Inventory list for all images with retail prices
      • Sample rack cards, brochures, postcards, business cards
      • CD of contents
      • Self-addressed stamped envelope (SASE) in back pocket

    Make Sure to Follow-up
    Each viewer looks at a portfolio for a different reason. A gallery dealer is interested in the visuals, your prices, and your resume. A museum curator looks at your artist's statement and experience. The arts writer is interested in newsworthy accomplishments. Collectors want to see if there is anything to buy.

    Effective marketing is polite and persistent. Viewers often flip through and assess portfolios quickly before they return or toss them. Don't leave it up to busy people to decide when they will get back to you. Show them that you mean business and take the initiative.

    There's more help on how to create your professional portfolio here: Artists Need a Professional Portfolio.


    Digital Arts Studio

    Digital Arts StudioP.S. If you are bewildered about where to even begin with your promotion, reply to this e-mail with your questions and ask me about a free 15 minute consultation to help you get started.
     
    P.P.S. If you were away last month, you might have missed the announcement of our newest e-book "Affordable Marketing That Really Works For You" Your website, online marketing, and printed marketing materials by Robin Sagara.
     

    Take a peek inside and read Part 1 here.
    Buy Now for $29.95

    Posted on Monday, August 16, 2010 at 11:59AM by Registered CommenterAletta de Wal in , , | Comments2 Comments

    Robin's Marketing Action Tip - Paying Yourself Forward With Your Portfolio

    When you put together a great portfolio from high-resolution digital images of your work and well-written materials, you end up with much more than a great portfolio. I mention this because it IS a fair amount of work to put one together, and I want you to be reassured that your work will pay off in more ways than one. 

    The high-resolution images and well-written information you use in your portfolio can be used again and again. It's not like you have to go to all that effort every time you need extra portfolios or something to use in marketing your art. You'll HAVE great high-resolution images and complete information to use in your printed promotional materials and on your website. 

    Putting the work into making a great professional portfolio WILL pay off. It also helps you keep your brand, your professional image as an artist, consistent. As Aletta said above, "Your web site is a mirror of your hard copy portfolio. YOU NEED BOTH. Once you have a hard copy portfolio, you can easily align your web site or Blog with this material and create a CD version."

    Gift for YouIt's like paying yourself forward.  Do the work now, and reap lots of benefits later!

    Want some help or advice on how to put together your portfolio?  The first 15 minutes are on me, just email me to schedule some time.

    All my best to you and yours,

     

    ~Robin
    

    Posted on Monday, August 16, 2010 at 11:55AM by Registered CommenterRobin Sagara in , , | CommentsPost a Comment

    How to Use Print Promotional Tools: Catalogues

    If you are on a tight budget, our series of practical tips will help you use low-cost marketing tools to promote your art with class. So far we have covered:

    Today we cover catalogues.

    Catalog ImageBooks about artists' lives, ôeuvre (complete works), signatures, defining characteristics and critical analysis have been around since the 16th century when Vasari wrote "Lives of the Painters. Sculptors and Architects." These monographs or catalogues raisonné educate collectors and validate works in the resale market.
     
    Auction house, galleries and museums use catalogues for current auctions, collections or exhibitions. I have a serious "art book habit" for works that are not available for purchase or out of my price range. You can also find many on-line for only the cost of your time.
     
    As the burden of promotion has shifted more to the artist, so has the range of publications you can use to promote your work. You don't have to wait until you are having a retrospective to produce a catalogue or coffee table art book.
     
    So what do you have to think about to create one?

    The scope of art works is up to you.
    Choose from:
    ·  Selected time periods, one body of work or your ôeuvre
    ·  One medium or all media you work in
    ·  Your work or the work of a group you belong to
    ·  Selected venues and exhibits
    ·  Traveling exhibits
     
    Identify and present your work properly.
    Include at least:
    ·  Title and/or number
    ·  © Date
    ·  Medium
    ·  Dimensions
    ·  Original, giclée, print edition
    ·  High-resolution image for print catalogs; Low-res for online

    If you have big name collectors, and permission to include their names, include the provenance.
     
    Create narrative to suit your audience and purpose.
    Choose from:
    ·  Introduction about your life and work
    ·  Narrative about each work or series
    ·  Reviews of your work

    As a collector, I personally love to read about the inspiration for work in artist statements, bios or brief notes about each image.
     
    If you want to impress galleries, museums and patrons, be sure to include comments or essays by recognized art professionals.
     
    Decide who pays and publishes your catalogue.
    Daniel Grant recently published an excellent article on this choice.
     
    Get Help When You Don't Have the Time, Connections or Skills to Do-It-Yourself
    Remember, if print promotion eats up your precious studio time, is technically beyond you, or frustrating, please let Robin help. It's not a big investment and you'll end up looking ever so splendid! Her dedicated support has helped me, and can help you, make a better living making art. Robin is located in Los Angeles, and serves artists worldwide. For more info on how she can help free up your time so you can focus on what you do best, email her at Robin@ArtistCareerTraining.com310-649-4434 Pacific time. Contact her for a complimentary 15-minute consultation.

    Digital Arts Studio

    P.S. If you are bewildered about where to even begin with your promotion, reply to this e-mail with your questions and ask me about a free 15 minute consultation to help you get started.
     
    P.P.S. If you already have a strategy but are worried you may go broke just to create and update your website, online marketing, and printed marketing, contact Robin@ArtistCareerTraining.com with your questions and ask her about a free 15 minute consultation to help you get started.
     
    If you were away last month, you might have missed the announcement of our newest e-book "Affordable Marketing That Really Works For You" Your website, online marketing, and printed marketing materials by Robin Sagara.
     
    Take a peek inside and read Part 1 here.
    Buy Now for $29.95
    Posted on Saturday, August 7, 2010 at 03:06PM by Registered CommenterAletta de Wal in , , | CommentsPost a Comment
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